A cool thing about writing is that I get to check off boxes for the stories I’ve always wanted to write (and I can write variations too–checking off the box doesn’t mean I’m done!).
My story in Alternative Deathiness is a haunted house story, but it’s also about the impulse to scare, the trail of trauma an effective horror writer leaves behind, and how the wheel goes round and round.
I have a story in this one entitled “The Thing Underneath.” The first editor to read it said, “It’s slam-dunk Stoker material.”
The publisher says, As the cover to Alternative Deathiness suggests, life is but a dance with death. A topic all of us are familiar with and too often want to avoid. This is not a volume to avoid. Alternative Deathiness is a fantastic selection of short stories and poetry that includes veteran writers such as best selling author Alicia Hilton, James Van Pelt, Larry Hodges and more, as well as up and coming voices such as Jim Wright and K.G. Anderson.
Analog Science Fiction and Asimov’s Science Fiction magazines do an annual readers’ choice awards. The ballots for stories appearing in 2021 from both are now available.
Science fiction and fantasy have a long and rich history of being responsive to fans, and, of course, the fans have been loud and enthusiastic. Taking part in voting for the awards is one way for you as a reader to be a part of the conversation.
Fortunately for me I had stories in both magazines last year: “The Bahnhoff Drive-in” appeared in Asimov’s and “I Have Loved the Stars too Fondly” in Analog. I’m very proud of those pieces.
You don’t have to be a subscriber to vote (although, why aren’t you?).
Trevor Quachri, the editor at Analog sent me an acceptance for “Party On” this morning. It’s rare for me to sell two stories in less than a week, although once I received three acceptances on the same day in the mail. This is when correspondence with magazines was done on paper. That was an awesome day!
Someone asked me if selling a story every gets old. Nope.
Daily Science Fiction sent an acceptance for my latest to them today. I want to thank my technical advisors, Dylan Van Pelt, Samuel Van Pelt and Teague Van Pelt, who know a lot more about computer gaming than I do. “NPC” will appear sometime in the future. This will be my 17th appearance in DSF and 6th story sale this year.
If you want to get yourself a present to celebrate it, order your signed, numbered, limited release, hardbound copy of THE BEST OF JAMES VAN PELT. There aren’t many copies left (remember the “limited release” part?).I really think buying author’s books for yourself or others on the author’s birthday should be a thing.
Here are the answers to their questions in my application:
I have been appearing in many of the major (and minor) science fiction magazines since the early 90s. I am a frequent contributor in Analog and Asimov’s. My short stories have been reprinted in six collections from Fairwood Press, including a limited edition of THE BEST OF JAMES VAN PELT, which was released in November of last year. Along the way I have been a finalist for the John W. Campbell Award for Best New Writer, a Nebula finalist, a finalist for the Theodore Sturgeon Memorial Award, a frequent finalist in both the Analog and Asimov’s annual readers’ choice awards. My first collection was included as a “Best Book for Young Adults” by the American Library Association, and I won a Colorado Book Award for my collection, THE RADIO MAGICIAN AND OTHER STORIES. My entire bibliography, including two novels and a smattering of journalism and poetry is viewable at https://jamesvanpelt.com/?page_id=21
I am a long-time member of SFWA. I also belong to the Colorado Authors League and the Western Colorado Writers’ Forum. I recently retired from teaching high school and college English, where I was a member of NEA and the National Council of Teachers of English.
My dad was an aeronautical engineer for Martin Marietta in Denver while I was growing up. Copies of SKY AND TELESCOPE were on every flat surface in the house. His interest in astronomy was so profound that he ground his own mirror for a telescope that he mounted permanently in our backyard. Through that he showed me Saturn’s rings and Venus’s moon-like phases, and Jupiter’s moons. He invited local elementary school classes to our house for hot chocolate and an evening of stargazing. He also loved science fiction, and his interests started me on a path to becoming a science fiction writer. Some of my writing requires a knowledge of astronomy, but my background is spotty and over-dependent on Google. Relying on a Sky Guide app on my phone is unsatisfying (although fun when I’m hanging out in my yard at night). I believe that a deeper dive into studying astronomy will not only improve the accuracy of what I write but also provide me with story ideas I couldn’t come up with otherwise.
I’m a frequent workshop leader for fledgling writers and young writer’s groups. One of my recurring themes is the importance of research, real-world information. Not having spent more time myself in a dedicated astronomy environment seems a sad hole in this science fiction writer’s resume. I would love to address that by attending Launch Pad. Like Whitman I have “Look’d up in perfect silence at the stars,” but I think I can’t just do that. I too need to spend time with “the learn’d astronomer.”
Last year I posted about progress toward the release of The Best of James Van Pelt, but I haven’t said anything else about it here since! Sheesh.
Fairwood Press released the book in November last year. Publishers Weekly gave it a starred review, saying, among other things, “Van Pelt’s superior combination of imaginative concepts with recognizable human emotions makes him a talent deserving of a wide readership.”
More reviews came out, including at Blackgate, Analog Science Fiction, and other venues.
This is a limited edition (200 copies), hardbound, signed and numbered collection with a wrap-around cover featuring gorgeous art by the Slovokian artist, Gabriel Gajdos. At almost 700 pages, it contains 62 stories published in numerous magazines and anthologies over the last thirty years, including a Nebula finalist, Pushcart prize nominated pieces, and Analog and Asimov’s reader award top-three stories. Part of the fun has been signing copies in my living room to be shipped to Fairwood Press for distribution.
At any rate, what provoked this post was realizing my Goodreads friends can see the book exists at the Goodreads site but the purchase buttons take you to Amazon and other of the bigger online booksellers. Because it is a signed and numbered book, it isn’t available through them (unlike the rest of my titles). You can only get it through Fairwood Press.
It’s been a while since I’ve shared news here (I post more often on my Facebook page!).
I attended the virtual MileHiCon the third week in October. This was my first virtual con. I had a tough time getting into it. I love conventions, but the virtual version lost almost everything I like: meetings in the hallways, crowds, room parties, dealers’ room, art show, bar-con, etc. Still, it was better than no con at all, and I did meet up with friends virtually. Fortunately, they recorded many of the panels. Here are the ones I was on:
Sadly, Covid wiped out this year’s Rain Forest Writers Retreat, which I’ve attended for the last eleven years (sob!). Hopefully the world will right itself by 2022 and conventions and public events will be a part of our regular schedule again.
On the publishing side of things, my novelette, “The Minerva Girls,” was the cover story for the Sept./Oct. Science Fiction Analog. Also, “Ethnoentomology” appeared in Deep Magic, and “After the War” in On Spec. Analog sent the galleys of “I Have Loved the Stars too Fondly” for approval, and Asimov’s bought “The Bahnhof Drive-in.”
In the meantime, I’m truly enjoying being retired, and I’m working on my next stories.