Writing Words Fantastical and Otherwise

Tag: conventions

Stuff That’s Happened Lately: Late 2020

It’s been a while since I’ve shared news here (I post more often on my Facebook page!).

I attended the virtual MileHiCon the third week in October. This was my first virtual con. I had a tough time getting into it. I love conventions, but the virtual version lost almost everything I like: meetings in the hallways, crowds, room parties, dealers’ room, art show, bar-con, etc. Still, it was better than no con at all, and I did meet up with friends virtually. Fortunately, they recorded many of the panels. Here are the ones I was on:

Creative Parenting

There’s Kissing in My SF

My Favorite Writing Tools

You can cruise through the complete list of recorded panels here.

I attended World Fantasy a week later, where I also did some panels.

For most of the fall I have been working on supporting the release of The Best of James Van Pelt, my huge short story collection. This has included doing interviews and essays. The first rumination on the collection appeared in “My Favorite Bit: James Van Pelt Talks about The Best of James Van Pelt,” which Mary Robinette Kowal hosted. The second one appeared on John Scalzi’s WHATEVER, The Big Idea: James Van Pelt.

Sadly, Covid wiped out this year’s Rain Forest Writers Retreat, which I’ve attended for the last eleven years (sob!). Hopefully the world will right itself by 2022 and conventions and public events will be a part of our regular schedule again.

On the publishing side of things, my novelette, “The Minerva Girls,” was the cover story for the Sept./Oct. Science Fiction Analog. Also, “Ethnoentomology” appeared in Deep Magic, and “After the War” in On Spec. Analog sent the galleys of “I Have Loved the Stars too Fondly” for approval, and Asimov’s bought “The Bahnhof Drive-in.”

In the meantime, I’m truly enjoying being retired, and I’m working on my next stories.

How to Improve as a Writer

I finished my two-day class called “Creative Writing for Teachers who would Like to Write” yesterday. I think it went well. I sent them this letter to the teachers today to give them some suggestions for what they can do for themselves as writers on their own (besides reading, reading, reading and writing, writing, writing).

Hi, all,

We talked a little about outside resources for writers that can help you on your journey, so I thought I could send you some specifics.

The first is writing workshops or writing retreats and conferences. A workshop would be where you meet up with other writers to share and critique each others work. A retreat is sort of like a writer’s vacation where you go to write in the company of other writers. A conference is more educational in its nature where there will be presentations during the day related to writing and/or publishing, but, depending on the conference, there can be opportunities for a professional critique of your manuscript or a chance to pitch a project to an editor.

I go to the Rainforest Writers Retreat in Washington each year. It’s easily the best five days of writing I get. It sells out quickly, but there are many other writing retreats all over the country. I also attend two or three conferences a year. Because I write science fiction, fantasy and horror, I go to conferences that focus on those genres. In the last year, I attended the World Science Fiction Convention that was in Kansas City, and MileHiCon in Denver. I will go to the World Fantasy Convention in San Antonio in early November.

I don’t think I can encourage you to look into attending a retreat, workshop or conference more strongly. It would be something you are doing to both acknowledge and feed your commitment to yourself as a writer.

You might also consider looking for or forming your own writers’ critique group. You can see guidelines here: http://writersrelief.com/blog/2014/09/start-writers-group-set-success/

Retreats and Conferences:

A list of well-respected writing retreats around the world: https://thewritelife.com/writing-retreats/

Colorado writing retreats and conferences: http://writing.shawguides.com/Tag/colorado

Writing Organizations:

Another way you can help yourself is to join a writing organization. The Grand Junction area has two that I can recommend. The Rocky Mountain Fiction Writers (http://rmfw.org/) and the Western Colorado Writers Forum (http://westerncoloradowriters.org/index.html). Both organize events for writers, including presentations, contests, critique groups, etc.

There are also national writing organizations that might interest you (http://writersrelief.com/writers-associations-organizations/)

If you are interested in writing for publication and are looking for markets for your work, one of the best resources is at https://duotrope.com/. They describe themselves this way: “Duotrope is a subscription-based service for writers and artists that offers an extensive, searchable database of current fiction, poetry, nonfiction, and visual art markets, a calendar of upcoming deadlines, a personal submissions tracker, and useful statistics compiled from the millions of data points we’ve gathered on the publishers we list. We have been honored as one of Writer’s Digest 101 Best Websites for Writers. Also, Preditors & Editors selected us for their Truly Useful Site Award.”

I hope this helps. Have a good summer and may all your words flow easily.

Best,

Jim Van Pelt

MY WORLD CON SCHEDULE – 2016

MAC_II_Robot__40154.1452620897.1280.1280-871x871What Ever Happened to Young Adult Science Fiction?

Sunday 10:00 – 11:00, 2502A (Kansas City Convention Center)

At one time, YA Science Fiction was a hot field, but in more recent years the Young Adult field has been more filled with dystopian and fantasy fiction.  What ever happened to YA SF?  Is there room for it or are kids just not interested in science fiction?

Mr. Jeffrey Cook, Sage Blackwood, Fonda Lee, Ms. Jane Ann McLachlan M.A. (M), James Van Pelt

Balancing the Creative Life

Saturday 15:00 – 16:00, 2503B (Kansas City Convention Center)

Finding balance is a trick nowadays. How do you keep a day job, AND read AND go to galleries AND network AND absorb enough of the world to keep your brain well fed inspired and energized enough to create? Panelists discuss what keeps them going and engaged in their work and life.

Kelly Robson, Joelle Presby, Mark W. Tiedemann, James Van Pelt (M), Deirdre Murphy

Latchkey Kids in Fiction

Friday 10:00 – 11:00, 2206 (Kansas City Convention Center)

Parents are often missing (or at least sidelined) from today’s young adult fiction. With the emergence of these latchkey kids who come home to empty houses and who have very little (if any) parental supervision, what message is this sending to today’s readers? What purpose do these absentee parents play in the larger story? Sure, it ratchets up the tension, but why is it such a common theme? Moreover, what resources are available to these latchkey kids and what dangers should they keep in mind when operating without a parent?

Greg van Eekhout, Tina Connolly (M), James Van Pelt, Tamora Pierce, Sarah Beth Durst

Magazine Group Reading: Analog

Friday 12:00 – 13:00, 2202 Readings (Kansas City Convention Center)

Our Magazine Group Reading Series continues with a special group reading that features authors from Analog.

Trevor Quachri (M), James Van Pelt, Alvaro Zinos-Amaro, Ken Liu, Stanley Schmidt, Mr. Alec Nevala-Lee

Notes

In an effort to highlight live author readings, we are trying something new at WorldCon. These special group readings are designed to maximize exposure for all of the readers involved as well as for the magazine itself. Each group reading is 50 minutes long (max) and includes 5 readers who each receive approx 5 minutes to read a portion of a story that was published by the magazine. Ideally, the introduction and readings should take 30-35 minutes max, which leaves time for a short Q&A session at the end. This format worked really well at Boskone this year and generated nice sized audiences that were very engaged with the reading.

Ready, Steady, Flash!

Thursday 17:00 – 18:00, 2502A (Kansas City Convention Center)

Four authors are each given five minutes in order to write stories based on a theme given by the audience, who then vote for their favourite.

Deirdre Murphy, Vivian Trask, James Van Pelt, Chris Phillips (M), Mr. John Wiswell

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