The January/February Analog contains my short story, “Party On.” Check the table of contents for the other stories and authors. This will be my 19th appearance in the magazine since 1997. I think I received my Analog MAFIA pin after my second story, which didn’t really seem “frequent” to me, but Making Appearances Frequently in Analog felt awesome. Analog was the first magazine I read regularly, starting in junior high.
The paperback and e-book version of THE BEST OF JAMES VAN PELT are available now.
Many thanks to those who bought the hardbound, signed and numbered limited edition. If you are interested in that version of the book, a few are still available through Fairwood Press.
If you were waiting for the less-expensive release, now is your chance. The $5.99 Kindle book I think is a real bargain: 300,000 words contained in 63 of my best stories from 30 years (so far) of publishing. The paperback features the same glorious cover art as the collector’s edition.
Remember that reviews matter. If you leave a review at Amazon, or mention the book on social media, that’s how other possibly interested readers will discover the book.
Fairly frequently someone will ask where I get my ideas, and like most authors I am at a bit of a loss for a good answer. However, a couple days ago, an FB writer friend asked for reasons a teenager might be laid up for weeks but not cause long term damage.
Their question question made me think this at first:”Not totally related, but an anecdote about how medical research can be fraught. For story purposes, I wanted to know if a teenager with bone cancer might have to have both legs amputated. I called my doctor, and he immediately went into a diagnostic mode. “What symptoms do you have? When did you start experiencing discomfort? How long have you been ignoring this condition?” It took quite a bit of talking to convince him that I wasn’t sick myself. I’m pretty sure he worried about me for years after.”
I added, “I have written three stories with bed-ridden young people: “The Radio Magician,” about a boy with polio in the 30s, also the story about a boy who had his legs amputated because of bone cancer, “Roller Derby Dan'” and the piece I’m working on now with a boy in the 60s who has both legs in external fixators after surgery to correct severe bow leggedness. I think the antecedent to my interest in this trope is Ray Bradbury’s “The Emissary” from THE OCTOBER COUNTRY.”
The FB friend asked why that situation interested me, and I realized I had a partial answer to where I get ideas, at least this idea.”Besides the awesomeness of the Bradbury story, a friend of mine when I was 12 had both legs broken to correct for extreme pigeon toed alignment of his feet. His legs were casted from ankle to hip. He was miserable but suffered gamely. We pushed him in his wheelchair everywhere we went that summer. I’ve often thought since what his experience must have been like. Also, of interest in this situation, H.G. Wells broke his leg when he was eight. He was bedridden while it healed (they were much less into getting patients on their feet at that time). He spent his convalescence reading. He said that’s what made him H.G. Wells. He became devoted to books and writing.”
That’s where the idea came from.
So here’s what’s happening lately:
In the meantime, I continue my 200-word minimum a day writing streak that started in November of 1999. Right now I’m working on a near-future science fiction about a retiring high school English teacher directing her class through Hamlet for the last time.
A cool thing about writing is that I get to check off boxes for the stories I’ve always wanted to write (and I can write variations too–checking off the box doesn’t mean I’m done!).
My story in Alternative Deathiness is a haunted house story, but it’s also about the impulse to scare, the trail of trauma an effective horror writer leaves behind, and how the wheel goes round and round.
This is the BIG project I’ve been working on for the last few months. Sixty-two stories chosen from almost three decades of publishing, including some previously uncollected work. Only 200 copies will be released in a signed, numbered, limited edition hardcover with gorgeous wrap-around art. Available at Fairwood Press right now!
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