Writing Words Fantastical and Otherwise

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Perseverance and Publishing Short Fiction

STORY SALE!

I offer this as a tale of perseverance.

Neil Clarke at Clarkesworld has accepted a story from me, which is my first original sale to them. They previously reprinted a piece that Gardner Dozois chose when he was working as their reprint editor (it was a story Gardner also included in his YEAR’S BEST anthology in 2010).

They have been using an online submission system since at least 2010 where I can view my submissions. I see that the story Neil is taking now is the 55th piece I’ve submitted to them. Many pieces made it to “round two” before being bounced.

I like to think of the submissions process as being a kind of pen pal arrangement. I’ve sent Neil 55 long, self-revelatory letters in the last 13 years. While his responses have been somewhat shorter, and a little repetitive ?, I have enjoyed our continued correspondence.

Almost all the other bounced stories found homes in other magazines. My submissions records at the major magazines who have taken pieces from me also contain WAY more “no” than “yes” replies.

That’s the case for most authors . . . except the late Mike Resnick who claimed during a panel at a WorldCon that he didn’t know what a rejection from ASIMOV’S looked like, so he couldn’t comment on its tone when asked.

This is my 190th short story sale since 1989.

January/February Analog: “Party On”

The January/February Analog contains my short story, “Party On.” Check the table of contents for the other stories and authors. This will be my 19th appearance in the magazine since 1997. I think I received my Analog MAFIA pin after my second story, which didn’t really seem “frequent” to me, but Making Appearances Frequently in Analog felt awesome. Analog was the first magazine I read regularly, starting in junior high.

The Long Silence

I post online constantly, but I keep doing it on FaceBook, which is dumb since I pay for the existence of jamesvanpelt.com.

Sheesh! Here’s what’s been going on lately:

  1. I attended World Fantasy in New Orleans in early November. World Fantasy is my favorite major convention. Huge number of pros to talk to, and New Orleans is a great place to visit.
  2. I attended MileHiCon in Denver in October. This is my local convention. I have so many friends that I only see there.
  3. I’ve sold 8 stories this year, including ones to Asimov’s and Lightspeed.
  4. The paperback edition of The Best of James Van Pelt has been released. It’s also available as a Kindle book.
  5. The Western Colorado Writers’ Forum interviewed me and broke the long talk into two separate episodes. I find it interesting to chat into a microphone.

It’s Christmas, almost! What better gift can you give them a book. If you are interested in mine, you can find them here, complete with extra info and reviews.

Happy holidays, all.

Paperback and E-Book Release of The Best of James Van Pelt

The paperback and e-book version of THE BEST OF JAMES VAN PELT are available now.

Many thanks to those who bought the hardbound, signed and numbered limited edition. If you are interested in that version of the book, a few are still available through Fairwood Press.

If you were waiting for the less-expensive release, now is your chance. The $5.99 Kindle book I think is a real bargain: 300,000 words contained in 63 of my best stories from 30 years (so far) of publishing. The paperback features the same glorious cover art as the collector’s edition.

Remember that reviews matter. If you leave a review at Amazon, or mention the book on social media, that’s how other possibly interested readers will discover the book.

MORE INFORMATION AND ORDERING OF THE BEST OF JAMES VAN PELT

Story Sale: Science Fiction Analog

Trevor Quachri, the editor at Analog sent me an acceptance for “Party On” this morning. It’s rare for me to sell two stories in less than a week, although once I received three acceptances on the same day in the mail. This is when correspondence with magazines was done on paper. That was an awesome day!

Someone asked me if selling a story every gets old. Nope.

Stuff That’s Happened Lately: Late 2020

It’s been a while since I’ve shared news here (I post more often on my Facebook page!).

I attended the virtual MileHiCon the third week in October. This was my first virtual con. I had a tough time getting into it. I love conventions, but the virtual version lost almost everything I like: meetings in the hallways, crowds, room parties, dealers’ room, art show, bar-con, etc. Still, it was better than no con at all, and I did meet up with friends virtually. Fortunately, they recorded many of the panels. Here are the ones I was on:

Creative Parenting

There’s Kissing in My SF

My Favorite Writing Tools

You can cruise through the complete list of recorded panels here.

I attended World Fantasy a week later, where I also did some panels.

For most of the fall I have been working on supporting the release of The Best of James Van Pelt, my huge short story collection. This has included doing interviews and essays. The first rumination on the collection appeared in “My Favorite Bit: James Van Pelt Talks about The Best of James Van Pelt,” which Mary Robinette Kowal hosted. The second one appeared on John Scalzi’s WHATEVER, The Big Idea: James Van Pelt.

Sadly, Covid wiped out this year’s Rain Forest Writers Retreat, which I’ve attended for the last eleven years (sob!). Hopefully the world will right itself by 2022 and conventions and public events will be a part of our regular schedule again.

On the publishing side of things, my novelette, “The Minerva Girls,” was the cover story for the Sept./Oct. Science Fiction Analog. Also, “Ethnoentomology” appeared in Deep Magic, and “After the War” in On Spec. Analog sent the galleys of “I Have Loved the Stars too Fondly” for approval, and Asimov’s bought “The Bahnhof Drive-in.”

In the meantime, I’m truly enjoying being retired, and I’m working on my next stories.

Promoting The Experience Arcade and Other Stories

Promoting a book is an interesting activity, and a separate one from writing the book or selling the book to a publisher. Marketing a book is a third challenge, or a third hobby, depending on how you think about it. It requires skills and a mindset that don’t seem related to the first two activities (and those two aren’t related either).

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I’ve been playing around with FaceBook ads to see how they impact book sales. Last month my son and I built a campaign for SUMMER OF THE APOCALYPSE. We noticed there was a lot of interest in pandemic related stories, so the timing was right. Other than a couple indignant notes from people who thought we were trying to capitalize of death and suffering (I’ve donated all money that came in from the book to relief organizations), I thought the campaign went well. We definitely moved the needle on book sales while we ran ads, although we spent more than we netted.

A nice feature of FB ads is that you can fine tune what audience will see the ad, and then note what works best. There’s a bunch of control for the author.

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For the next month we are working on marketing my last collection, THE EXPERIENCE ARCADE AND OTHER STORIES. This is a collection instead of a novel, and there are features in the book that point it to different audiences than SUMMER OF THE APOCALYPSE. Also, the book is not tied to current events, so our approach is impacted by that (also, I’m unlikely to get letters from people accusing me of profiting from a catastrophe).

Doing this experiment with FaceBook makes me want to learn more about advertising on other platforms. Amazon and Goodreads seem like possibilities. I’ve done some with Goodreads, like doing a giveaway when the book was released, mostly in the hopes it would generate reviews (not as many as I would hope), but I think there’s more to learn than I have discovered.

An Occasional News Post

I have been spending much of my online time in two venues. The first is Curious Fictions where I try to post a story a week, generally on Wednesdays. The site contains a ton of free fiction. Readers can also subscribe to writers they like or give them tips.

Of course, I like tips. You can also follow writers who you want so when they post new stuff, you are notified. There’s a place to “like” stories or to comment on them. My latest contribution is “The Small Astral Object Genius,” which appeared the first time in Asimov’s.

I also have been posting short fiction reviews at Black Gate. Those also appear every two or three weeks and are free to read. The column is called “Stories that Work.” My mission is to comment on stories that I think are successful and what recommends them. I’m not searching for a “best of” necessarily, nor am I reviewing the stories I don’t think work. Here’s my latest for Black Gate.

Of course, I also hang out at Face Book regularly.

Keep safe! Social distance responsibly.

Experience Arcade Cover Reveal

My new collection, THE EXPERIENCE ARCADE AND OTHER STORIES, is now up for preorder at both Amazon and Barnes and Noble. We can now reveal the entire cover! I still get all squishy inside when I see my name on a book. It makes me feel like I was when I was ten-years old at the library, looking for which science fiction authors my book would appear between when I grew up (it was Jack Vance and A.E. Van Vogt).

 

Selling a Small Press Book

pandoracampaigneYesterday, Patrick Swenson asked me how my Goodread’s ad that I started in October for PANDORA’S GUN was doing. I hadn’t tried any kind of advertising campaign for any of my books before, so this was new territory for me. The Goodreads program was pretty simple. They gave me a template for the ad which I designed (it took five minutes–most of that time was deciding how to word the text to go along with the book cover) . Then I chose how much money to put into the ad buy. What I’m buying is Goodreads placing the ad on the side of pages that Goodreads users who have indicated an interest in books like PANDORA’S GUN could see. I’m charged fifty cents when someone clicks on the ad. As of this morning, the ad has been displayed 413,675 times, and I’ve spent $57.50 of my budget.

So, what to make of that? Has the ad resulted in $57.50 of sales so far? I have no way of telling. It certainly has not translated into hundreds of books being sold.

Would I have stronger results with a Facebook or Amazon ad? Do online ads work at all? Would I just do better by compiling a newsletter list (which often feels spammy to me)? These are questions I don’t have answers for.

My feeling is that in the small press world, the only things that truly sells books is word of mouth. In online terms, that would be people reading a book, liking it, and then sharing it with their online friends. If some of those friends also share the book, then you get the equivalent of a sustainable reaction. Lots of people are talking about the book and getting other people to read it.

Right behind word of mouth are reviews. Not just reviews in PW or Locus, but also on Amazon, Goodreads, B&N, etc. A well-planned signing can move books too, but in small batches.

The next tier of actions I could take: book marks, custom pens, flyers, tee-shirts, etc. strike me as a waste of money (although fun to do).

Unfortunately, word of mouth and the reviews are mostly beyond the author’s control. Author’s can’t make people talk about their books, and they can’t control the reviews.

So, to answer Patrick’s question, I don’t know how the ad buy at Goodreads is doing or whether it was worth it. All I can say is that I controlled buying the ad. Once the book was out, it was one of the few things I could control, and that felt good.

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